From the manuscript Volume V, written in 1986 just after Vol.
III (under similar circumstances, in Zurich)—but (even now) not
yet ready (due to surrounding time conditions) to be published
in full. However, some selections have been published in Vols.
I & IV:
And each unseen lotus
On the tennis court the match continues
On the tennis court the ball in play
and then, time to change servers
the ball into a new court
In whose court?
In OUR court
In OUR court
A Left Turn
Now completely convinced of the story
completely convinced of its truth
" . . . laugh about this someday in the
The Earth's coming of Age as a
The arrival of a new consciousness
that consciousness sometimes at odds with
was the situation
that caused the opening of the
next act of
The Old Man's
Time for the Old Man's
at the p-IAN-o
wanting her to win
re-cord a consciousness
change Before the End
change the game
Come pari Son
a dual with
a shared rêve
chakras like cages now opened
row CO CO
Guides adding Dim MENTIONS
how often they had wanted to speak
spoken and not
not part of the Earth's tradition
accepted a minimal definition
a whole Earth to
THE EARTH's POSITION
From Babaji and the 18 Siddha Kriya Yoga Tradition, by M.
Govindan (1991, Montreal: Kriya Yoga Publications), pp. 116-117:
"In the fifth century B.C., Confusius met Lao-Tzu Bo-Yang
and afterwards said of him:
"I know a bird can fly, a fish can swim, and an animal can
run. For that which runs, a net can be fashioned; for that which
swims, a line can be strung. But the ascent of a Dragon on the
wind into heaven is something which is beyond my knowledge. Today
I have met Lao-Tzu, who is perhaps like a Dragon.Among the
Chinese, particularly, the Taoists, the Dragon is the symbol of
Kundalini Shakti, the primordial force."
From Love in Transition, Vol. I., p. 29:
So if we see the world as a Thought FORM
the Fourth Dimension is a
The [solar] oven where the cooking, the cake, was
ready to come out in the op-
The GOT TOW
Now what could be cooking
in a meta
FOUR, TURNED ON HIGH
the HAUT in the END
the N-O now
a turned-around spelling coming in
From Love in Transition, Vol. I, the essay A Man
Called Milton: Experiments in Consciousness, pp. 6, 12-13:
Carl Jung wrote (in Man and His Symbols) of a "shadow of
death" (1978 ed., p. 63). In what I now picture as a full, frothing,
future-prognosticating wave, this "shadow of death" preceded [Milton]
Klonsky's death for a year in dreams, strongly indicating (but
unbelieved or –decoded by me) the death was coming. (Klonsky had
said, "I believe time is all one tense: a burgeoning present.
And foresight isn't, by the way foresight. It's immediate sight.")
Jung's words were written after age 80 (completely approximately
10 days before onset of his fatal illness); the time frame for
pronouncing these words was, for Jung, in addition, after a near-death
experience (not to mention having had a practice of alternating
between personality Nr. 1 and 2, a time- and nontime-bound dimension
A mind (Klonsky's) which "compressed the world to the space between
his hairline and the bridge of his nose," who read and mentally retained libraries
of books, which he assimilated, where did it go (Krim: "he was
indirect, elusive, paradoxical, frowning, iceberg-cheerless often,"
p. 69). Did that mind disappear—"muck"—merge with the Earth?
Or did it gravitate? The man who told me, his face coming close,
insistent, in a vibration I found myself always in in his presence:
"I was a crazy kid, You know what I was crazed by?Immortality"—was
I came as the recorder of a wave—the physical point
that observed it at the collapse of the wave, where the
point of the story and the story itself become visible. . . .
To begin chronologically: at two years old, I remember being at
the top of the stairs at my home, listening to the people below.
I wanted to walk down. I could. Only, I was afraid. I later understood
this to be a photograph of my path; to walk down the stairs to
the ground, from a listener position, an observer, on the
stairs. I particularly wanted to see how my father's friends fanned
out their hands at the card table (I even sleptwalked down)—how
they hid the cards. How they played them.
Brigs, J., & D. Peat (1989). Turbulent Mirror: An Illustrated
Guide to Chaos Theory and the Science of Wholeness. New
York: Harper & Row.
Davies, P. (1982). Other Worlds: Space, Superspace and the
Quantum Universe. New York: Simon & Schuster/Touchstone.
Jung, C. G. (1978 ed.). "Approaching the Unconscious." In C.
G. Jung, et al, Man and His Symbols (pp. 1-94).
Krim, S. (1991). See p. 1, "Icon-ography" section in the Website,
as well as "Archives" & "Having Tried To Write."
of the following non-English expressions are used, with partial
definitions: Cervantes; ris (Fr) ("is" pronounced
long "e") = "laugh" (from the verb rire, pronounced
"rear"); come(Sp) (pronounced "co-may") = "eat" (from the
verb "comer"); dia (It) = "day"; Comedia= a name
for the Divine Comedy, by Dante Alighieri; résonner (Fr)
= "to sound, clang"; spiel (Fl) = "game"; pari
(Fr) = "bet"; gagner (Fr) (prounced "gahn—yea") = "to win";
rêve (Fr) = "dream."
 Non-English words
here include clé (Fr) (pronounced "clay") = "key";
four (Fr) = "oven"; en haut (Fr) ("haut"
pronounced like "O") = "above," "on high"; gâteau (Fr)
(pronounced like "got tow") = "cake."
 Seymour Krim,
Ibid. (see "Icon-ography").
 The wave in quantum
physics is described as a probability wave of energetically interacting
influences while in wave form, before it collapses into the fait
accompli of fact (cf. Davies, 1982, pp. 64, 67, 69, 102, 130).
Also of relevance is Briggs & Peat (1989), on the soliton
wave, which was first identified in the 19th century
in Scotland by J. S. Russel, an engineer, as he walked beside
a body of water. Because of connections that are internal, nonlinear,
this type of wave, when passing through another wave, emerges
unbroken, still intact. It has become an important principle in
modern science, resulting in the creation of such terms as the
"optical soliton," and instructive in the understanding of nonlinear